Thursday, 19 June 2008

Amy Winehouse - Winehouse Undergoes More Tests But Still Plans To Sing This Month


LATEST: Singer AMY WINEHOUSE underwent medical scans and tests in a London hospital on Thursday (19Jun08), three days after she collapsed at home.

The troubled star was admitted into a private clinic in Marylebone on Monday (16Jun08) after she fainted in her London home.

Tests to determine the cause of the collapse have so far proved inconclusive, but on Tuesday (17Jun08), the 24-year-old was allegedly warned by health experts her drug addiction will end her life - unless she manages to kick her habit once and for all.

Winehouse's spokesman Chris Goodman released a statement on Thursday, revealing the 24-year-old remains under close watch.

He says, "Amy has undergone more scans and tests and we are awaiting the verdict of her doctors."

Goodman also claimed Winehouse is still on course to perform at a concert marking Nelson Mandela's 90th birthday on 27 June, and at England's Glastonbury Festival a day later.

He adds, "At present, she still intends to perform at the two scheduled dates next week. However, a decision will be made entirely upon the advice of her doctors and in her best interests."





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Friday, 13 June 2008

Phil Collins - Collins To Collaborate With Akon Pharrell Williams

Legendary singer PHIL COLLINS is considering giving his music a modern twist by collaborating with hip-hop stars AKON and PHARRELL WILLIAMS.

The musician admits he is "flattered" to hear the duo is keen to work with him and is equally surprised they are fans of his music.

He tells Rolling Stone magazine, "I'm flattered that they've expressed the interest publicly, risking their careers in doing so.

"Anything is possible and I certainly would investigate doing that if I did think about doing something."

It's not the first time the Collins' original material has been reworked by R+B heavyweights - Brandy, L'il Kim and Kelis sang updated versions of Collin's hits on 2001's Urban Renewal LP.




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Friday, 6 June 2008

They're doing it Frank Sinatra's way

Anew era is beginning in the career of Frank Sinatra even if the Chairman of the Board isn't here to participate.The iconic singer died May 14, 1998, and the 10th anniversary is being marked with a flurry of activity, including a new U.S. postage stamp with his likeness, lavish new CD and DVD collections, a major revival of his films on television and high-profile media appearances by his children. This surge in all things Sinatra is more than just a fleeting commemoration, however -- it's more like the beginning of a corporate brand roll-out.


















Late last year, the Sinatra heirs signed a pact with Warner Music Group Corp. that will bring Ol' Blue Eyes back in a big way, not just as a digitally resurrected entertainer but also as an advertising pitchman and, potentially, the name on the marquee of a feature film, a Broadway show and a casino and resort."Those are some of the things that have been discussed. We will see," said Tina Sinatra, the singer's younger daughter and the heir most involved in the estate's day-to-day enterprises. "The amazing thing is how untapped all of it is. By design we have done very little, particularly once he died."What Sinatra offers to any venture is that most elusive of auras: eternal cool. Like Elvis Presley, James Dean or Marilyn Monroe, Sinatra's image has compass-point clarity in pop culture despite the passage of time. For advertisers, he could be an especially potent signifier of sophisticated standards and rakish elegance, and Warner executives sound like gamblers with winning hands when they talk about it."There's a famous old saying that, 'It's Frank Sinatra's world, we just live in it,' and that's kind of how we feel around here now," said Jimmy Edwards, one of the executives at Warner's Rhino Records who will be leading the day-to-day operations of Frank Sinatra Enterprises LLC. "Frank opens the door to a very exclusive club. . . . He crosses so many zones too; he's working-class, but he also runs around with the country-club set."The venture, funded and operated by Warner, has two major advertising deals in place and is close on two others. Dozens of other overtures have been turned down. Edwards and fellow executive Gregg Goldman declined to say what products will soon have Sinatra as an expensive salesman, but Goldman said the accounts speak to Sinatra's passions, "gaming, fine dining, the finest apparel and luxury." The company's partnership in Frank Sinatra Enterprises is a departure from the traditional core business of the recording company but, with the gutting of CD sales in recent years, major labels and other players in the sector are looking for new business models. In recent months, for instance, Live Nation signed deals of $100 million or more with Jay-Z, U2 and Madonna to bundle an assortment of their revenue streams and ventures, both on stage and off. Faced with a diffused marketplace, companies are trying to scoop up key superstars and bottle up all their moneymaking power. Financial terms of the Sinatra deal have not been disclosed. Edwards said the plan is to be intensely selective. Next week, the company will relaunch and begin a methodical mining of "a Sinatra archive that is enormous." A major documentary project is also being pursued."The opportunities for this artist," he said, "are unparalleled."But there's also a danger of saturation or, worse, making a crass misstep. Many devotees of Fred Astaire, for example, recoiled a decade ago when the late star was digitally made to dance with a Dirt Devil vacuum cleaner. When you have a singer who made "My Way" a musical life statement, you don't want to hit a sour note."There is a lot of interest, and the hard part is deciding what is right and what is wrong," Tina Sinatra said. "But people remain fascinated by Dad. The truth is that his image and his cachet has sustained and perpetuated him just as much as his incredible talent. He is handed from one generation to the next. Things that would suit him and his lifestyle make sense to me. But now I'm in a corporation, it's not just me."Some apprehensionsSitting in her sunny office on Olympic Boulevard, Tina Sinatra was plainly proud while discussing the grand plans that the Warner deal will set in motion, but there was also some apprehension in her voice. She was particularly enthusiastic about discussions of a Sinatra film directed by Martin Scorsese -- "He's really the only one to do it, isn't he?" -- but less certain about the proposals she's heard that would put her father's name on the front of a menu."I've dragged my feet about a restaurant," the 59-year-old said. "The dreaded term 'chain of restaurants.' A casino would interest me a lot. That's his environment. It would have to be top-end. As would a Sinatra hotel. A casino, that's on the nose, but it's a big undertaking. I would love to see a dress code enforced at a Vegas casino, but I don't know that it could work. Las Vegas is so competitive. We're thinking beyond Las Vegas too. It's a big world out there."Tina Sinatra and attorney Robert A. Finkelstein have been the family's main gatekeepers on licensing matters since the 1980s, when her father was still touring. But the job became too large and complicated for a small-team approach. With Warner's investment comes the opportunity for major windfalls but also the surrender of some control.Tina Sinatra and Finkelstein represent the two family votes on the board of Frank Sinatra Enterprises. Warner has two also: company Chairman and Chief Executive Edgar Bronfman Jr. (who led the investor group that bought the company from Time Warner in late 2003 for $2.6 billion) and Scott Pascucci, president of Warner's Rhino Entertainment, a brand known for meticulous archival collections and a safari-like approach to music history. A fifth, tie-breaking vote is held by former Capitol Records President Hale Milgrim, a respected industry veteran selected by both sides, but Edwards said the goal is unanimity.The Sinatra family itself has some considerable divisions. Tina has feuded with her father's fourth and final wife, Barbara. Frank Sinatra left control of his estate's business to his children -- Nancy, Frank Jr. and Tina, all from his first marriage. The children are not completely on the same page, either. Nancy Sinatra, 67, is against a feature film, even if Oscar-winner Scorsese fulfills his longtime goal of directing it. She fears it would dwell on the negative and ugly moments of her father's complicated life. She prefers an eight- to 10-hour documentary, which needs to be "very, very precise." Nancy also said her father "never wanted his image to be on an ashtray" and that any advertising "must be equal to his excellence, which is not easy to do."

Sunday, 1 June 2008

By George, Clooney is single again

George Clooney has split from his girlfriend, it has been claimed.

Michael Moore - Moore Outraged By Madonna Critics

Filmmaker MICHAEL MOORE is "outraged" by the widespread criticism MADONNA has received for adopting a baby from Africa.

The Material Girl hitmaker produced and narrated documentary I am Because We Are after recently travelling to Malawi, where she adopted toddler David Banda.

And Moore has hit back at children's rights groups who have accused her of using her celebrity status to fast track the adoption process, reports Gigwise.com.

Defending the star, Moore says the criticism of Madonna was "just one more reminder to me of just how dishonest so much of the media is in this country (U.S.)".




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Pentangle

Pentangle   
Artist: Pentangle

   Genre(s): 
Folk
   Folk: Folk-Rock
   Rock
   



Discography:


Solomon's Seal   
 Solomon's Seal

   Year: 2007   
Tracks: 9


Open the Door   
 Open the Door

   Year: 2006   
Tracks: 10


Reflection   
 Reflection

   Year: 2004   
Tracks: 8


The Pentangle   
 The Pentangle

   Year: 2001   
Tracks: 8


One More Road   
 One More Road

   Year: 1997   
Tracks: 11


So Early in the Spring   
 So Early in the Spring

   Year: 1993   
Tracks: 9


Early Classics   
 Early Classics

   Year: 1992   
Tracks: 14


In the Round   
 In the Round

   Year: 1990   
Tracks: 11


A Maid That's Deep in Love   
 A Maid That's Deep in Love

   Year: 1989   
Tracks: 9


Cruel Sister   
 Cruel Sister

   Year: 1970   
Tracks: 5


Basket of Light   
 Basket of Light

   Year: 1969   
Tracks: 9


Sweet Child   
 Sweet Child

   Year: 1968   
Tracks: 1


The Collection   
 The Collection

   Year:    
Tracks: 17




Were Pentangle a common people group, a folk-rock chemical group, or something that resists categorization? They could hardly be called a rock & roll behave; they didn't manipulation electric instruments often, and were reinforced around two virtuoso guitarists, Bert Jansch and John Renbourn, world Health Organization were already well-established on the common people racing circuit earlier the radical formed. Yet their hunger for eclectic experimentation match into the milieu of late-'60s progressive rock and psychedelia well, and much of their consultation came from the rock and pop worlds, sooner than the folk crowd. With Jacqui McShee on vocals and a rhythm method section of Danny Thompson (freshwater bass) and Terry Cox (drums), the group down pat a breathtaking repertoire that encompassed traditional ballads, blues, jazz, pop, and reworkings of stone oldies, frequently shading different genres in the same art object. Their portentous individual talents perchance ensured a abbreviated life-time, but at their bill they melded their clear-cut and vast skills to eggs each other on to heights they couldn't have achieved on their own, in the mode of great stone combos like the Beatles and Buffalo Springfield.


When Pentangle formed about late 1966 or early 1967 (accounts motley), Jansch and Renbourn had already recorded nonpareil album together (Bert and John), and done some solo recordings as well. Jansch was more inclined toward blues and contemporaneous songwriting than Renbourn, world Health Organization was stronger in traditional British folk music. Jacqui McShee, whose bell-clear, high singing set the standard (along with Sandy Denny) for female British folk-rock vocals, began rehearsing with the pair. After a false startle with a forgotten rhythm surgical incision, Thompson and Cox -- world Health Organization had been working with Alexis Korner -- were brought in to complete the quintet.


Pentangle's start trey albums -- The Pentangle (1968), the double-LP Seraphic Child (1968), and Basket of Light (1969) -- are not only their best efforts, only arguably their only sincerely of the essence ones. With Shel Talmy acting as producer, the ring rarely took a stumble in its mastery of diverse styles and material. Thompson and Cox gave even the traditional sept ballads a jazz drop and verve; the guitar interplay of Jansch (world Health Organization was too a capable singer) and Renbourn was out-and-out electrifying, each complementing and enhancing the other without showing off or acquiring in each other's way. McShee's beautiful vocals, though non as emotionally reminiscent as her close similitude Sandy Denny, were an under-appreciated component to the band's success with the pop audience.


And Pentangle were very popular for a time, at least in England, where Basket of Light made number five, and "Light Flight" was a small hit undivided. They introduced some electric guitars on their early-'70s albums, which loosely suffered from weaker substantial and a less unified radical feat. The original batting order broke up in 1973; Jansch and Renbourn (world Health Organization had never really abandoned their solo careers) continued to criminal record oft as soloists, and remained top attractions on the folk lap. Thompson linked John Martyn for a while, and has remained active as a session musician, in addition to recording some work of his have for the Hannibal mark. The original group reunited for the moderately accomplished Open the Door album in the early '80s, and former versions of the group recorded and toured throughout the '80s and '90s, normally featuring McShee and Jansch as the sole leftover original members.





Former Blue star Ryan charged with assault

Top 10 TV picks: May 27 - June 2

Television critic Philip Wakefield chooses the 10 best shows on the box this week, for Tuesday, May 27 to Monday, June 2.

VH1 ventures into Latin content with "Viva Hollywood"

MIAMI (Billboard) - It's trashy. It's racy. It's deliciously over-the-top, with lots of bare-chested hunks, bikini-clad women and plenty of catfights, fistfights and dramatic deaths.


Welcome to "Viva Hollywood," the first Latin-themed show on music channel VH1.


A reality show where contestants vie for a role in a Telemundo soap opera as well as a cash prize, "Viva" is a loud celebration of soap opera culture, featuring singer/actors Maria Conchita Alonso (dressed in brazenly provocative outfits) and Carlos Ponce as hosts and Latin fortunetelling icon Walter Mercado (who is known to Latinos everywhere for his flowing cape and lipstick) as sidekick.


The soundtrack to "Viva" is mostly reggaeton, and its theme song has Spanish lyrics, but it's not a music-themed show. Its absolute embrace of Latin culture, however, is compelling and noteworthy for a channel that has generally been closed to Latin content, Spanish-language fare in particular. In the past decade, VH1 has played only a handful of Spanish-language videos in its rotation.


"We realize that every time we tap into an audience that hasn't seem themselves in mainstream television, we win," VH1 executive vice president of programming and development Jeff Olde said. "And there were 12 million viewers that didn't see themselves in the network. We were looking for something."


"Viva" was developed by Miami-based entertainment company Latin World Entertainment and Los Angeles-based production company World of Wonder, whose productions include "The RuPaul Show."


CULTURAL OBSESSION


"We're obsessed with pop culture and very much in love with Latin culture and the intersection of the two," said filmmaker Randy Barbato ("The Eyes of Tammy Faye," "Inside Deep Throat"), who's a partner in World of Wonder and executive producer of "Viva." "And we're very aware that while so much of Latin television is hugely popular in America, it isn't always translated into mainstream channels." 

Mazzy Star

Mazzy Star   
Artist: Mazzy Star

   Genre(s): 
Pop: Pop-Rock
   



Discography:


So Tonight That I Might See   
 So Tonight That I Might See

   Year: 1993   
Tracks: 10




If psychedelic music had a interpreter in '90s post-punk, Mazzy Star english hawthorn have been its strongest renascence. That doesn't needfully mean that fans of the Jefferson Airplane and the Grateful Dead will determine the band to their liking, however. Mazzy Star much prefered the dark side of psychedelia, as exemplified by the most distended tracks of the Doors and the Velvet Underground. Their fuzzy guitar workouts and plaintive folky compositions are frequently suffused in a dissociative ennui that is very much of the 1990s, notwithstanding practically their textures may call back the drug-induced states of vintage psychedelia.


Although Mazzy Star was nominally a full band, they were fundamentally the core duette of guitar player David Roback and vocalist Hope Sandoval with backup musicians. Roback boasts a recollective history in the paisley subway, with the Rain Parade and Opal. He came crosswise Sandoval after audition a tape she had made as part of a folky duette, Going Home. (The Going Home album that Roback later produced corpse unissued.) Sandoval concluded up replacement Kendra Smith on Opal's final tours. After Opal dissolved, Roback and Sandoval continued to figure out unitedly as Mazzy Star, and released their first album for Rough Trade, She Hangs Brightly, in 1990.


Rough Trade's U.S. branch went under shortly after, merely luckily Mazzy Star were picked up by Capitol, wHO unbroken the debut in print and issued their follow-up, 1993's So Tonight That I Might See. There isn't much to differentiate the 2 albums, though that's not necessarily a unfavorable judgment. Both portion interchangeable strengths and weaknesses: appealingly languid and atmospheric arrangements, rambling misrepresented guitar workouts, and lyrics that mix the haunting and the meaninglessly shadowy. Tonight That I Might See had been around for about a year in front it all of a sudden got hot, reaching the Top 40, and spinning off a modest hit single, "Blow over Into You." Even in the stir up of this surprise success, Roback and Sandoval remained as enigmatical and distant as their medicine, seldom submitting to interviews, and offering deep, unhelpful replies when journalists did deal to talk with them.






Soul Control

Soul Control   
Artist: Soul Control

   Genre(s): 
Other
   



Discography:


Chocolate (Choco Choco): New Mixes   
 Chocolate (Choco Choco): New Mixes

   Year: 2004   
Tracks: 6


Chocolate (Choco Choco)   
 Chocolate (Choco Choco)

   Year: 2004   
Tracks: 5


Here We Go   
 Here We Go

   Year:    
Tracks: 15




 






Peter Howell

Peter Howell   
Artist: Peter Howell

   Genre(s): 
New Age
   



Discography:


Legend   
 Legend

   Year: 1987   
Tracks: 2